讲述了十年前，温暖意外发现姐姐温柔暗恋自己的男友占南弦，却不料导致温、占两人的父亲双双罹难，遭受巨变的温暖人间蒸发，从此杳无音讯。历经十年分离波折，温暖与占南弦再度相守相知、破镜重圆的浪漫爱情故事。

讲述了十年前，温暖意外发现姐姐温柔暗恋自己的男友占南弦，却不料导致温、占两人的父亲双双罹难，遭受巨变的温暖人间蒸发，从此杳无音讯。历经十年分离波折，温暖与占南弦再度相守相知、破镜重圆的浪漫爱情故事。

仕事に邁進し、「独身」を貫いてきた大企業の社長・松永徹（６３）。 　　認知症になった母に、娘として「別れ」を告げられなかった医師・古賀夏生（５３）。 　　定年後、妻に離婚を突きつけられ「居場所」を失った男・室田精一（６１）。 　　“孤独”を抱えた彼らの元に、ある日、「ふしぎな村」への招待状が届いた。 　　彼らを待ち受けるのは、ひとりの年老いた「母」・ちよ（８６）。彼女の人生に何があったのか、 　　誰も知らない。全ての謎が解ける時、感動が押し寄せる。 　　ふるさとをあなたへ−−− 　　みちのくを舞台にした笑って泣ける浅田次郎の最新長編を原作に、 日本の美しい原風景を描く、 　　感動のミステリアス・ファンタジーです。

A collection of film clips from horror movies and interviews with the actors and directors who made them.

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

All Tomorrow’s Parties is a DIY concert film featuring performances from an eclectic mix of some of the most influential artists including: Battles, Sonic Youth, Belle And Sebastian, Grinderman, Iggy and the Stooges, Portishead, Mogwai, Slint, Grizzly Bear, the Yeah Yeah Yeahs, The Gossip, Daniel Johnston and The Boredoms. 　　The film is a semi-found bricolage made from Super8, camcorder and mobile phone footage contributed by over two hundred filmmakers, fans and musicians over the festival’s recent history, with key contributions from Jonathan Caouette (Tarnation) and Vincent Moon (The Take Away Shows, Arcade Fire). 　　All Tomorrow’s Parties is a fiercely independent festival that many music lovers regard as one of the most important music events in the world. In an intimate and communal atmosphere, free of corporate sponsorship, it serves up a heady combination of alternative music, crazy golf and chalet-living, with musicians and fans living side by side. At each festival a band or artist is chosen to gather up their favourite artists who perform over a weekend in an out-of-season holiday camp by the sea. Sonic Youth’s Thurston Moore described the festival as the ‘ultimate mix tape’.

In an abandoned bungalow complex two man have made themselves a peaceful haven. Although the relationship between them is unclear, the unexpected arrival of the third man is going to disrupt their little utopia.

光线昏暗、老旧破败的公寓了无生气，似乎从来就不是年轻气息逗留的场所。 　　体态丰腴的单身老妇人每日的生活简单、单调。对她来说，似乎唯一的乐趣就是泡在注满热水的浴缸中，水面漂浮着一艘邮轮的模型，然后闭上眼，静静享受时光的流逝，也许彼时便会想起年轻时的快乐时光。 　　在妇人的楼下住着一位同样上了岁数的业余音乐家，他定期准备好一盘小菜，招待同好们来家中进行室内弦乐演奏，其乐融融。两个邻居近乎从未交流，却能在关键时刻体会到人与人之间的温情…… 　　本片获1992年奥斯卡最佳动画短片奖提名。